Pelle Berglund’s 1989 spy thriller Täcknamn Coq Rouge is a treat for anyone interested in intelligence, military history and Nordic security policy. Beneath the assassinations and secret agents lies a picture of a Sweden that publicly stood outside NATO while quietly preparing for a much less neutral war. When Täcknamn Coq Rouge reached Swedish cinemas
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Stanley Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb remains the most breathtaking cinematic dissection of Madman deterrence theory and nuclear strategy ever put on screen. It plays as absurd comedy, yet every mechanism in the film rests on real doctrine, real fears, and real institutional logic. Kubrick and
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John Wayne’s The Green Berets (1968) is one of the only major American feature films of that era to openly support the U.S. involvement in the Vietnam conflict, as the real war was turning into a public and political disaster. The US state got a two-hour advertisement for Special Forces, and Wayne got helicopters, bases,
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Few Second World War films are as gleefully cynical, morally unclean, and politically uncomfortable as Black Book. Directed by Paul Verhoeven, this Dutch-German-British production dismantles the comforting myths of resistance heroism and liberation justice, replacing them with betrayal, opportunism, and survival at any cost. It is one of the more honest cinematic portraits of how
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This is a rare American movie that portrays the Soviets as the protagonists in Afghanistan without reducing them to cartoon villainy. It follows a Soviet T-55 crew in 1981 who smash a Pashtun village, take a wrong turn, and end up trapped in a dead-end valley while a band of Mujahideen and village survivors hunt
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John W. Brunius’s Fänrik Ståls sägner (1926) is one of the most ambitious historical films of the Nordic silent era. The film is about the last major Swedish war and the birth of Finnish nationhood – about defeat, memory, and identity. Based on The Tales of Ensign Stål by Johan Ludvig Runeberg (1804–1877), the film
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When we think of films about the Titanic, James Cameron’s 1997 blockbuster or the British classic A Night to Remember (1958) usually come to mind. Yet in 1943, deep in the Second World War, Nazi Germany produced its own epic retelling of the Titanic disaster. The result is one of the most peculiar and revealing
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Frank Pierson’s The Looking Glass War is a slow-burning adaptation of John le Carré’s 1965 novel, and like much of le Carré’s world, it deals not in glamour or gadgets but in the decaying realism of the intelligence game. Unlike the bombastic Bond films of the era, this one is sober, chilly, and resolutely unglamorous.
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In the pantheon of World War II cinema, Denmark rarely takes centre stage. Yet in 2008, director Ole Christian Madsen delivered an audaciously raw and morally unsettling portrait of the Danish resistance with Flammen og Citronen (Flame & Citron). Based on real figures—Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”)—this film is less about patriotism
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Elmo Nüganen’s 1944 is a brutal, beautifully shot, and emotionally complex portrayal of Estonia’s darkest hour—when its sons were conscripted to fight on both sides of a war that wasn’t theirs. Set during the summer and autumn of 1944, the film follows two Estonian soldiers: Karl Tammik, fighting in the Waffen-SS under German command, and
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